larry98765 said:
Thanks Karavite. Can anyone else weigh in?
Larry, an SM-58 would be fine. The SM-57 is the same mic only without the pop screen. They are durable and built like tanks.
They started out being marketed for touring professionals but quickly became popular in the studio because they are great for mic'ing guitar amps and snare drums.
They have a slight rise starting at around 4k through the 10k region. They are also excellent at reducing backround bleed which is why they were popular in live situations. If you put a vocal mic 20 feet in front of a guitar players amp you will get some bleed. There is no way around that. But these mic's were designed with that in mind using a very "tight" pattern around the mic's diaphram.
You will need to get a hi-z transformer for it though because it is a true low impedance mic. Then you will also need a 1/4" female jack to a 1/8" jack to go into the mac. It will sound very good. I used one with my porta studio in the early years.
If you are truly interested in the art of recording and Microphones. (Mic's are an art in themselves.) Here are some links to check out. There are several magazines at the newstand but there are only a couple that stand out for professionals and being the best.
The first one which has a lot of great information for professional engineers and producers is "MIX" magazine. Check out the forums too.
http://www.mixonline.com/
Sign up for the "MixLine E-Newsletter" they often mention alot of cheaper products for home recording especially some of the digital converters that use firewire or USB.
Then check out EQ Magazine
http://www.eqmag.com/
They also have great forums too. George Massenburg has a thread there and he is a genius.
Also you don't mention where you live but if you have a good music store in town they will be happy to let you try stuff out. Go in and tell them you want to try an SM-58 out.
The SM-58 or SM-57 are good mic's to start with. Most engineers would probably recommend that.
hope that helps...
J.